In Part 1 of this article, we explored how the adult entertainment industry has evolved since the birth of the Internet. We saw that control of the business has shifted from male-run ‘production houses’ to female entertainers, working autonomously, often from home, with very low personal overheads.
Here in Part 2, we’re going to focus on some specific good, bad and ugly consequences of the new situation.
The future is female… That’s true in many areas of commerce, but the adult entertainment industry’s transfer of power from men to women has been truly dramatic.
Over the past twenty years, and particularly over the past decade, the business has evolved away from its old structure in which, typically, men hired, fired and made the decisions. The industry has progressively de-centralised, with many of the old centralised service/content vendors – basically ‘middlemen’ – not only losing power, but often either going bust, or refocusing on other markets.
Men still preside over much of the infrastucture, but it’s no longer so much an infrastructure that controls how women behave. Today, most women in adult services work independently and autonomously. So is this all good, or are there some drawbacks? And before we even get to that, how did such a major change come about? Continue reading The De-Centralisation of the Adult Industry: Part 1→
Once upon a time, there was no internet, and for Mr Way-Too-Much-Time-On-His-Hands, finding a virtual release valve was nothing like as simple as it is today.
He couldn’t just go onto Twitter and disagree with news bots, or call football managers cretins until he got his enraged little ass suspended.
Nope. If Mr Way-Too-Much-Time-On-His-Hands wanted a reason to get his knickers in a twist in ye olde distant past, chances were that it would reach him via a newspaper, a magazine, or a television. But he’d still want to say his piece. So whilst interactivity was a very slow process in the mid twentieth century, print publications pulled out all the stops to expedite angry readers’ letters onto their sensation-hungry pages. Continue reading How Much Does Social Media Need Mr and Mrs Angry?→
“No DMs!”; long form – “No Direct Messages!“… It’s a prominent chant in certain pockets of the vast Twitter userbase, but why only certain pockets? And is the “No DMs!” admonishment really a necessary inclusion in a Twitter bio? Let’s mull it over…
“No DMs” is much more common among women than among men, which suggests the phrase is largely rooted in a male predatory issue.
The frequent coupling of “No DMs” with “No dick pics” further supports that suggestion. A lot of men do try to use Twitter as a dating site, or a ‘perving’ site, or a ‘flashing’ site, or at least a means to avail themselves of female emotional comforts without having to pay for a premium rate service. However, at first glance, there appears to be some illogicality to the way in which “No DMs” warnings are distributed… Continue reading What Does “No DMs” Really Mean in a Twitter Bio?→
We’re here again. The censorship card is at the top of the deck, as the internet’s freedom to steal content faces one of its stiffest challenges yet. Just from the collection of manipulative voices spouting highly-charged phrases like “link tax” and “censorship machines”, we know there’s a copyright-related bill in motion. That bill, is the revised European Union Copyright Directive, and the reaction it’s whipped up is almost surreal in its level of distortion.
Whilst I’m discussing the new Directive in this post, I really want to send out a general counter-protest against the cyber giants’ relentless playing of a censorship card, every time the internet’s freedom to steal comes under threat. It happened with SOPA, it happened with Net Neutrality. And it’ll keep happening as long as we’re stupid enough to accept that policing Silicon Valley’s behaviour somehow equates to censorship. Continue reading The Truth About “Link Tax” and “Censorship Machines”→
People are often quick to point a finger and sneer when a social media user lapses into a crazed meltdown. But have you ever considered why these cataclysms of raging temper and self-destruction always seem to play out on a site such as Twitter, and not on a site such as Flickr? What is it about classic social media that pushes us over the edge? Continue reading Five Ways in Which Social Media Worsens Our Behaviour→
It’s a testament to Yahoo!/Oath’s running of Flickr in recent times, that it took an official email notification of SmugMug’s new acquisition to remind me that Flickr still existed. For reasons I outlined in the recent Oath/Tumblr post, businesses such as Oath do not inspire great confidence in creative people. But unlike Oath, SmugMug is not a portal-wielding bait-baron obsessed with trite, populist news and cheesily-executed ad campaigns. It’s a photo-sharing business. So, has Flickr been saved? Continue reading Will SmugMug Keep Flickr Free To Use?→